Entries by Chantal

South Africa’s Constitutional Court Art Collection: Curating Postapartheid

Stacey Vorster | University of Amsterdam
In this research, I aim to draw on the theoretical frameworks of Jacques Rancière, Carrol Clarkson, Mieke Bal and Carli Coetzee to critically evaluate the art collection of the South African Constitutional Court, its history and the ways in which it reflects the potential of “aesthetic acts” to contribute to the “long ending of apartheid”.

Media Discourse of Gay Men in their Everyday Practices in China

Wang Shuaishuai | University of Amsterdam
This project is concerned about the media representations of gay men and their own perceptions and identity in China, topics around this group such as safe sex, intimacy, social status, pressure from marriages and the birth of a child and the like will be explored in an anthropological perspective and methods.

Humanist Boundaries in Posthuman Practice: Technology as Nonhuman Other

Alix Rübsaam | University of Amsterdam
Posthumanism deals with borders that demarcate the human from the nonhuman, aims to decentre the human as the main actor of ratio and intelligence, and investigates the relation between the human (academic) subject and nonhuman actors. But what is the practice of Posthumanism? How does the concept become concrete? What are the possibilities and limitations of the theory?

From the Vastness of the Web to Mainstream Production and Vice-Versa: Fan Identities, User-Generated Content and Corporate Appropriations/Producer Communities

Argyrios Emmanouloudis | University of Amsterdam
This project deals with online user-generated content and the way it impacts traditional practices of community shaping on the one hand, and media production on the other: whether audiovisual content created by fans of a specific franchise is appropriated by big media companies and used as a part of a creative industry or just remains as a means to bring users together and assist them in fostering a common identity, web content needs further examination on its cultural and production aspects.