POSTHUMAN FUTURES: ART & LITERATURE
OSL/NICA Symposium, 10-11th June 2021
Open to: PhD, ReMA and OSL/NICA students, art researchers and artists of all types of media.
Location: Amsterdam, Netherlands.
Deadline for abstract submissions: 5th December 2020.
Notification of acceptance/rejection: 6th January 2021.
Conference program available: 15 January 2021.
More information on format and registration: https://www.oslit.nl/osl-nica-symposium-posthuman-futures-in-literature-and-art/
Within late capitalism, developments in the natural sciences, digital information technologies, and the study of ecological systems have altered the shared understanding of the basic unit of reference for the human. Critical posthumanism (Braidotti, 2016) works as an analytical tool that allows one to expose restrictive structures of dominant subject-formations as well as expressing alternative representations of subjectivity. This posthumanist agenda intersects with New Materialism (van der Tuin, 2012), building a discursive and material production of reality. Knowledge production is understood as situated and embodied visions (Haraway, 1988). Materialist feminism, with the speculative turn (van der Tuin, et al. 2015), develops analytical tools to think beyond the limit of human perception, refusing to make a separation from (non)human subjecthood.
The emergence of divergent and irrational epistemic processes have opened the spectrum of scrutiny to other disciplines, such as spiritual (Griffin, 1978), embodied (Alaimo, 2016) and artistic research (Cotter, 2017). From Kate Tempest’s feminist ecopoetics to the corporeality of Yoko Ono´s world-making narratives, artistic methodologies are challenging the normative structures of present ontologies. Instead, art is presented as a planetary necessity and method for survival (Haraway, 2016); artistic processes reclaim spaces of contested heritage (Skawennati, 2016) and further reformulate themselves as a disruptive force beyond hierarchical epistemology. They envision a future wherein humanity has reformulated its own ontology in relation to the living, breathing world it coexists with; and whose power is gathered through alternative knowledge methods in the pursuance of a radical reality.
This symposium is co-sponsored by the Netherlands Research School for Literary Studies (OSL) and the Netherlands Institute for Critical Analysis (NICA); it reflects a shared wish to increase hybridity between artists and scholars, in order to create spaces for affirmative ethics (Braidotti, 2017) and “thinking with” (de la Bellacasa, 2012) alternative onto-epistemologies. The interdisciplinary framework of this event intends to foment collaboration between artists, scholars and researchers, with the purpose to explore and reflect on the advancement in artistic research and literary studies in questions of the posthuman. The organizing committee welcomes proposals on topics including, but not limited to:
- Ecopoetics & ecofeminism
- Speculative fiction
- Science/art divide i.e. fabulation vs factuality
- Posthuman rights
- Multispecies and entanglement
- Indigenous studies & reclaiming territories
- Queer (in)humanities
- Ecological exile & spatial justice
- Gaia & systems beyond the Anthropocene
- Caring as earthly resistance
- Prosthetic memory
- Storytelling as decolonial resistance
- The posthuman artist´s methods
- Oppressive art & propaganda narratives
- Pandemic bodies
- Neurodiversity as emancipation
- Posthuman consciousness & psychedelics
- Irrational epistemes of madness, spirituality, nature
We encourage proposals from scholars, artists, scholar-artists and researchers, including emerging and early-career professionals. Proposals can take the form of academic and/or artistic interventions i.e. research presentations, panels, video screenings, performances, . While there is a focus on textual work, we welcome research from any practice that actively engages with posthuman art forms. The presentation duration is of max. 10 minutes (plus 5 minutes for q&a) and submissions should include: (i) a title; (ii) a 400-word abstract of the presentation/performance; (iii) a brief biography of the author(s); (iv) duration of presentation; and if necessary, (v) an attachment with an illustrative example of the material (if applicable). These will need to be submitted electronically as a single document to: email@example.com .
José Bernardo Couto Soares
Alaimo (2016) “Nature”, pp. 530 – 550 in Disch, L., & Hawkesworth, M. (2016). The Oxford Handbook of Feminist Theory. In The Oxford Handbook of Feminist Theory. Oxford University Press USA – OSO.
Braidotti, R. (2017) Posthuman Critical Theory. Journal of Posthuman Studies. Vol. 1, No. 1. pp. 9-25. Penn State University Press
Braidotti, R. (2017). Generative Futures: On Affirmative Ethics. Critical and Clinical Posthumanities: Architecture, Robotics, Medicine, Philosophy. pp.288-308. Edinburgh University Press
Cotter, L. (2017). Reclaiming Artistic Research – First Thoughts. MaHKUscript. Journal of Fine Art Research, 2(1), 1–. https://doi.org/10.5334/mjfar.30
Griffin, S. (1978). Woman and nature : the roaring inside her. Harper and Row
Haraway, D. (1988). Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective. Feminist Studies 14 (3):575-599.
Åsberg, Cecilia & Thiele, Kathrin & Tuin, Iris. (2015). Speculative Before the Turn: Reintroducing Feminist Materialist Performativity. Cultural Studies Review. 21. 145. 10.5130/csr.v21i2.4324.
de la Bellacasa, M. P. (2012). ‘Nothing Comes Without Its World’: Thinking with Care. The Sociological Review, 60(2), 197–216. https://doi.org/10.1111/j.1467-954X.2012.02070.x
Skawennati, 2016. She Falls for Ages. Aboriginal Territories in Cyberspace. Montreal: Obx Labs. Watch film (21 min.) http://www.skawennati.com/SheFallsForAges/
Terranova, Fabrizio and Haraway, Donna. 2016. Donna Haraway: Storytelling for Earthly Survival. https://earthlysurvival.org/
Van der Tuin, I., Dolphijn, R. (2012) New Materialism: Interviews & Cartographies. Michigan: Open Humanities Press.