23-25 May 2019, Utrecht (the Netherlands)
Organized by Transmission in Motion (Utrecht University) and SPRING Performing Arts Festival
Robots are increasingly present both in our daily life and on stage. Theatre makers explore the possibilities of these new technological performers and investigate the possibilities and implications of a future of living with them. Also in daily life, the presence and behavior of robots raises questions that concern their dramaturgy and design: how do social robots address their human co-performers and afford interaction with them? What scripts do they follow? How to design and choreograph their appearance and movements?
Guy Hoffman observes that theater acting and other performing arts could serve Human Robot Interaction (HRI) as useful testbeds. Heather Knight identifies eight lessons about designing non-verbal interaction that can be learned from the theatre, and demonstrates the potential of comedy for experimenting with and testing out robot behavior and HRI. Elizabeth Jochum points to puppet theatre as source of knowledge and expertise about animating mechanical agents, and shows how theatre can be used to study interaction with care robots. Projects like Towards Corporeally Literate Social Robots (Petra Gemeinboeck) and the Pinoke Project (Deakin University) use expertise from the field of dance and interaction with dancers for new approaches to developing movement for robots.
This conference takes stock of interactions between theatre and robotics so far and looks at possibilities for future collaboration. What do the performing arts have to offer as inspiration, model, and test-case for the development of robots and for human-robot interaction? How might collaboration between the performing arts and robotics contribute to further development of social robots, as well as to critical understanding of what it will mean to be living with them?
Three days with more than 25 presentations and demonstrations. Keynote addresses by Peter Eckersall (CUNY), Maarten Lamers & Peter van der Putten (Leiden University), Petra Gemeinboeck (UNSW) & Rob Saunders (Falmouth University/University of Sydney), Kris Verdonck (A Two Dogs Company) and Stefan Kaegi (Rimini Protokoll).
Performance program includes Uncanny Valley by Stefan Kaegi, SOMETHING (out of nothing) by Kris Verdonck, Uncanny Valley Girl by Angela Goh and Happiness by Dries Verhoeven.
Conference attendance is free but registration is required.
Please register through the website of SPRING Performing Arts Festival at: https://springutrecht.nl/festival-info/performing-robots-conference?language=
Tickets for performances need to be purchased separately at:
- Dries Verhoeven – Happiness https://springutrecht.nl/shows/happiness/?language=en
- Angela Goh – Uncanny Valley Girl https://springutrecht.nl/shows/uncanny-valley-girl/?language=en
- Stefan Kaegi – Uncanny Valley https://springutrecht.nl/shows/uncanny-valley/?language=en
- Kris Verdonck – SOMETHING (out of nothing) https://springutrecht.nl/shows/something-out-of-nothing/?language=en
For more information, you can check our website or contact us at firstname.lastname@example.org
The Performing Robots conference is a collaboration between Transmission in Motion (Utrecht University) and SPRING Performing Arts Festival. The conference is made possible through the support of Prins Bernhard Cultuurfonds, Stichting Diorapthe, Utrecht University, Centre for the Humanities, NICA and Museum Speelklok.