Theatre amongst the ruins: The poetics and politics of South African adaptations
Through the conceptual metaphor of the ruin, the lecture explores the ways in which the classical archive has been mobilized and reinvented by two white theatre-makers in South Africa: Athol Fugard’s production of Orestes in 1971 and my own adaptation of Antigone (not quite/quiet) in 2019.
Mark Fleishman is Professor of Theatre in the Centre for Theatre, Dance and Performance Studies at the University of Cape Town. He is also a co-artistic director of Magnet Theatre, an independent theatre company established in 1987. Recent publications: Performing Migrancy and Mobility in Africa: Cape of Flows in the Studies in International Performance series at Palgrave (2015) and two special issues of the South African Theatre Journal on Translation & Performance (2019 & 2020). He is currently principal investigator on the project Re-imagining Tragedy from Africa and the Global South, funded by the Andrew W. Mellon Foundation.