Repairing Infrastructures

In the 2018-19 ASCA Cities seminar series we examine the city through the lens of infrastructures. This seminar will take stock of the many failures and crises of infrastructure, gathering thinkers and ideas committed to reparative infrastructures that both anticipate and help sustain sociality. Putting infrastructure at the heart of our social and cultural analysis, as Deborah Cowen (2017) argues, “insists that we ask how power works, in its most mundane and practical ways,” in turn helping to refine concepts of resistance and justice.

Attending to the infrastructures that reproduce sociality, this seminar pursues recent insights in feminist thought and the Black intellectual tradition, among others, in order to reframe social reproduction and its gendered and racialized labours in the normalization of existing power relations. In Lauren Berlant’s account of the repair or replacement of broken infrastructure, for instance, “the extension of relations in a certain direction cannot be conflated with the repair of what wasn’t working” (2016). This means exerting caution before embracing ‘the commons’ as a political concept since it may too quickly gloss over how systematic divisions and exclusions permeate everyday life today. What, then, is the promise of infrastructure, both as normative condition and critical possibility not yet lived? What becomes of infrastructure as an analytic tool when it is approached from the social sciences and humanities?

This year’s seminar series will consider how to incorporate these questions into the cross-disciplinary frameworks of the Amsterdam School for Cultural Analysis: How can we analyse citizenship through a focus on alternative material and social infrastructures rather than corporations or nation states? How do infrastructures determine politics of life and death, especially as played out across uneven power networks in urban environments? Could alternative infrastructures help initiate an imaginary other than ongoing crisis or seemingly unending state of political, economic, and environmental emergency?

Dates and locations for Semester 1: 

  • Fri. 14 Sept. 2018, 3-5pm, OMHP D1.18A
  • Fri. 12 Oct. 2018 (3-5pm), OMHP D1.18A
  • Tues. 13 Nov. 2018, (3-6pm), Bushuis/OIH, D 3.06
  • Fri. 14 Dec. 2018 (3-5pm), OIH D2.04

The seminar is open to all ASCA/NICA members and registered participants, including PhD and Research MA students from all Dutch universities. Selected Research MA students may participate in the seminar for university credit and have it count as a tutorial for their studies. Please contact the organizers for further details: Kasia Mika (, Jeff Diamanti (, Simone Kalkman ( or Carolyn Birdsall (

Juklia Kursell (UvA) & Jonathan Sterne (McGill)

NICA Public Lectures

13 and 14 January 2014, University of Amsterdam

Organized by Carolyn Birdsall (UvA), Myles Jackson (NYU), Mara Mills (NYU) and Viktoria Tkaczyk (University of Amsterdam)
Julia Kursell (UvA)

Motor Media: On Aural Feedback in the History of Musical Instrument Playing

Julia Kursell is professor of musicology at the University of Amsterdam. Before coming to Amsterdam, she worked as a research fellow at Bauhaus University in Weimar and at the Max Planck Institute for the History of Science in Berlin. Her research interests include the history of the physiology and psychology of hearing, as well as the relation between music, media and technology in Western composition after 1945. She has published widely in these areas in journals such as Configurations, Greyroom, and OASE. Most recently, the volume Music, Sound, and the Laboratory, co-edited with Alexandra E. Hui and Myles W. Jackson, has come out with Chicago University Press. 

Public Lecture: 

Date: Monday 13 January 2014
 Doelenzaal, University Library, Singel 425, Amsterdam
The lecture is free and open to the public. No registration is required.


Jonathan Sterne (McGill)

The Stereophonic Spaces of Soundscape

Jonathan Sterne teaches in the Department of Art History and Communication Studies and the History and Philosophy of Science Program at McGill University. He is author of MP3: The Meaning of a Format (Duke 2012), The Audible Past: Cultural Origins of Sound Reproduction (Duke, 2003); and numerous articles on media, technologies and the politics of culture. He is also editor of The Sound Studies Reader (Routledge, 2012). Visit his website at

Public Lecture: 

Date: Tuesday 14 January 2014
 Doelenzaal, University Library, Singel 425, Amsterdam
The lecture is free and open to the public. No registration is required.