23 Nov 2018 | Tropenmuseum
The Research Center for Material Culture is pleased to invite you to a masterclass with Professor Azoulay, one of the leading photo theorists today. Azoulays work explores questions around photographic theory, archival practices in relation to issues of sovereignty, political subjectivity and human rights. Professor Azoulay will speak on the theme potential history, a concept and an approach that she has developed over the last decade, which has far-reaching implications for the fields of political theory, archival formations and photography studies.
Ariella Azoulay, Professor of Modern Culture and Media and the Department of Comparative Literature, Brown University, film essayist and independent curator of archives and exhibitions Azoulay’s research and forthcoming book (Verso, 2019) focus on potential history of key political concepts-institutions: archive, sovereignty, art and human rights. Potential history, a concept and an approach that she has developed over the last decade, has far-reaching implications for the fields of political theory, archival formations and photography studies.
Among her books: The Resolution of The Suspect (with photographer: Miki Kratsman), Radius Books/Peabody Museum Press, 2016; Aïm Deüelle Lüski and Horizontal Photography, Leuven University Press and Cornell University Press, 2013. From Palestine to Israel: A Photographic Record of Destruction and State Formation, 1947-1950, (Pluto Press, 2011), Civil Imagination: The Political Ontology of Photography (Verso, 2012) and The Civil Contract of Photography (Zone Books, 2008); co-author with Adi Ophir. The One State Condition: Occupation and Democracy between the Sea and the River. Stanford University Press, 2012.
Her archives & exhibitions (selection): “Act of State 1967-2007,” [in Cher(e)s Ami(e)s, Centre Pompidou, 2016], “The Natural History of Rape,” (F/Stop photography festival, Leipzig & Pembroke Center, Brown University, 2016), “The Body Politic” [in Really Useful Knowledge, curated by What, How & for Whom / WHW], Reina Sofia, Madrid; When The Body Politic Ceases To Be An Idea, Exhibition Room – Manifesta Journal Around Curatorial Practices No 16, Potential History (2012, Stuk / Artefact, Louven), Untaken Photographs (2010, Igor Zabel Award, The Moderna galerija, Lubliana; Zochrot, Tel Aviv), Architecture of Destruction(Zochrot, Tel Aviv), Everything Could Be Seen (Um El Fahem Gallery of Art). Cinematic essays (selection): Civil Alliances, Palestine, 47-48 (2012), I Also Dwell Among Your Own People: Conversations with Azmi Bishara (2004), The Food Chain (2004).
To participate fully in the masterclass we ask that you read:
- Ariella Azoulay, Plunder, the Transcendental Condition of Modern Art and Community of fabri
- Ariella Azoulay, The Imperial Condition of Photography in Palestine: Archives, Looting, and the Figure of the Infiltrator
The class will be conducted as a discussion.
Attendees are expected to read the readings in advance of the seminar
More information and registration: https://www.materialculture.nl/en/events/masterclass-ariella-azoulay